
Select Print
For a complete listing see Curriculum Vitae

Monograph
James Gallagher: Wild Flowers
Depart Pour L’image, Milan, 2025
Entwined bodies dance in analog form across the pages, printed on carefully selected papers that embrace the images. These figures settle into backgrounds, assuming poses that shift between desire and melancholy, between platonic longing and fiery impulse.
– Micamera Milan

Publication
Secret Behavior
Issues 1-3, 2013-2015
Published, edited and curated by James Gallagher
Secret Behavior uncovers deeper interpretations of sexuality with striking imagery. The juxtaposition of collages, photographs and other artworks is masterly. – Print Magazine
A magazine that celebrates sex, beauty, desire and the mysteries of the human condition. – Italian G
A beautiful art publication that falls somewhere on the spectrum between a magazine and a book, Secret Behavior is full of feelings, flesh, fucking and other normal things. – Kickstarter’s Best Publishing Projects 2014

Publication
Cutting Edges
Die Gestalten Verlag
Edited by James Gallagher
Cutting Edges documents the new heyday of collage in current art and visual culture. Today’s artists, illustrators, and designers are increasingly drawn to this artistic technique by the challenges of seamlessly melding traditional craftsmanship with skilled computer montage. They are not only composing a wide variety of visual elements, but are also deliberately omitting, deleting, and destroying them. This book is an inspiring collection of these unique examples of contemporary collage.

Article
Contemporary Collage
Issue 30, 2025
James Gallagher lives and works in New York. His collaged exploration of the human form, gender and sexuality has a raw, sculptural immediacy that utilises muted tones and roughly cut layers to capture the movement and interaction of figures frozen in a moment. James’s most recent project sees him creating studies of live models in real time and the results are stunning.

Article
Kolaj Magazine
Issue 1, 2012
Disfigurative Collage of James Gallagher
Gallagher’s patchwork of endpapers, flyleaves, scraps and title pages suggest that his people occupy a liminal space at the boundary of narrative. – JP King